[Kamakura period Unkei Buddha]
In the temple biography, the Buddhist statue was designated as an old national treasure, as it was said that Minamoto no Yoritomo had relocated one of the three Kamakura temples built during the Kamakura period, the "Naruchosaku Amida Sanson" of Katsuchojuin. In 1918, only the statue of Amida Sanson (Amitabha Nyorai, Kannon Bosatsu, Seiji Bosatsu) became an important cultural property designated by the national government. A similar name tag was found in the womb of the statue of Fudo Myo. No similar inscription could be found in the womb of the Sanson statue, but it was decided that the Dharani inscribed in the womb had the same handwriting and that all five were Buddhist statues made by Unkei. In 1970, with the cooperation of Yokosuka City, Kanagawa Prefecture, and the national government, a storage for Buddhist statues was erected, and in 1975, the statues of Fudo Myo and Bishamonten were also designated as national important cultural properties.

[Edo period Shaka Sansonzu]

The Shaka Sanson map of Jorakuji is drawn on the back of the main hall's Raigo wall. From the seal at the bottom left of the screen, it is written by Yukinoshita Togawa, who lives in Yukinoshita, Kamakura, and was produced in 1837. There are also four lotus ponds on the ground bag board door. In addition to being a masterpiece of Buddhist paintings and temple barrier paintings produced in the late Tokugawa period, it is said that it can be evaluated as a rare painting by a local painter in Kamakura.